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(Naturally, they’ve been convinced by Joanna’s shadowy cabal that Michael is an unhinged kidnapper who’s keeping his fellow passengers hostage.)Īlso Read: Lionsgate Picks Up 'Shaun the Sheep' Sequel and 4 Other Studiocanal Movies The screenplay (by a trio of writers) and editor Nicolas de Toth (“Stoker”) maintain the suspense and the uncertainty from the moment that Michael steps onto the train, but delaying the exposition means that the movie comes to a halt in the third act so that conspiracies can be explained and double-crosses can be crossed.įor much of its running time, however, this is a solid story, from an opening montage of Michael’s day-in-day-out (clock-radio awakenings, breakfasts, shaves, and train rides) to a tense stand-off with the police. Where “The Commuter” goes awry is in keeping Michael (and the audience) in the dark for so long. (Naturally, his phone gets stolen from him early on, and his other attempts to alert the authorities are thwarted.)
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Like “Non-Stop,” this is a 21st century spin on the popular “Die-Hard”-on-a- genre, as Michael goes up and down the train cars searching for clues (the passenger he seeks has a ticket punched through to the end of the line in Cold Spring) and trying to prevent anyone else from getting hurt. Even though Joanna has left the train, she’s got eyes on Michael, and the consequences to his family and his fellow passengers escalate the longer that he refuses to do her bidding.Īlso Read: 'Suicide Squad 2:' Jaume Collet-Serra Is Frontrunner to Direct Sequel Michael demurs, but he eventually seeks out and then finds the cash, sealing him in a devil’s bargain. He just has to find a specific passenger on the train, plant a GPS on him or her, and then collect the $25,000 that Joanna has hidden in one of the restrooms (as a down payment for an eventual $100,000). No wonder, then, that he’s momentarily intrigued by a proposition from a stranger that afternoon on the train: Joanna (Vera Farmiga) wonders if Michael would undertake a certain assignment for her, one where he wouldn’t have to harm anyone but he would have no idea what would eventually happen to that person. The MacCauleys have a second mortgage, and Danny’s headed to Rutgers in the fall, so it’s a devastating blow when 60-year-old Michael is downsized five years before his retirement. Neeson stars as Michael MacCauley, a retired NYPD detective turned insurance agent, happily living a cozy suburban life in Tarrytown with wife Karen (Elizabeth McGovern, underutilized) and son Danny (Dean-Charles Chapman, “Game of Thrones”).
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Watch Video: Liam Neeson Goes on a Dangerous Train Ride in 'The Commuter' First Trailer Plot-wise, the movie most resembles “Non-Stop,” with the airplane replaced with a multi-car commuter train heading out of Manhattan toward upstate New York.
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While the sequels to Luc Besson’s 2008 hit were an exercise in diminishing returns, Neeson’s collaborations with Collet-Serra - “Run All Night,” “Unknown” and my personal favorite, “Non-Stop,” in which air marshal Neeson has to find the terrorist on a packed international flight - have been lean-and-mean action-movie standouts in an industry that often seems to have forgotten how to portray thrills and mayhem without burying everything in over-the-top CG effects.Ĭollet-Serra’s fourth team-up with Neeson, “The Commuter,” represents neither man’s finest work, but at its best, it suggests the snap and fun they’ve brought us before. He’s also the unsung architect of Liam Neeson’s post-“Taken” career as an action superstar. From the lurid shocks of “Orphan” to the woman-vs.-shark tension of “The Shallows,” Collet-Serra is a genre master, placing relatable characters into larger-than-life scenarios for maximum impact. You may not know the name Jaume Collet-Serra, but the Barcelona-born filmmaker has become, without question, one of our great living B-movie auteurs.